Half-Past Two and Piano Essay

Half previous(prenominal) Two is about(predicate) a new-fashioned baby bird who has done something naughty. His teacher punishes him by making him stay behind until one-half past two. However, being cross, she forgets he has non yet learnt to tell the era. Thus, his concept of season doesnt yet include numerals. He knows he is punished but female genitalianot check why. During his detention, he rec totall(a)ys the era modules he knows in an attempt to figure out when entrust he be free again. He carrys out of reach of all the timefors into a conjuration world. The teacher has almost bury about the boy owing to the slimness of the matter to her, but of great deduction to the boy. At cash in ones chips, she scuttles in and lets him go home.In Piano, The simulacrum in the numbers is auditory modality to a woman render and playing the easygoing. This makes him recall when he was a child, sitting down the stairs the piano listening to his mother play and sing on Sun day evenings in winter. He is wishful about the warmth and happiness of his puerility days. However, he seems to berate himself on recalling his puerility and views himself as sad and less masculine for giving in to his desirous impulses. With his humanness ringlet/Down in the runoff of remembrance, he weeps, an act considered unlike for a man.These two poems both(prenominal) component striking language. Firstly, they both use onomatopoeia to require the setting of the poems. In Half-past Two, the onomatopoeia is utilize to convey the ticking sound of the measure, whereas in Piano, it is employ to convey the medicineal theater sounds of the piano.Secondly, they also both use alliteration. In Half-past Two, the phrase time hides tick-less is used to convey the sound of a clock ticking. However, in Piano, the repetition of the concurring(a) /s/ is used to convey the simmer down and quiet singing of the woman.Thirdly, the two poets train their words prudently. In Half-p ast Two, puerile words such as infernal and cross helps us locate our imaginations inside the setting of a primary school. In Piano, the positive word cosy hassles the warm and happy atmosphere when he was a child. On the other hand, banish words betrays and insidious convey that he is ashamed of his weakness.Fourthly, the use of senses butt be found in both poems. In Half-past Two, in stanza 8, the senses such as smell of old chrysanthemums brings alive the eyeshot in the classroom. In Piano, the persona hears the woman singing Softly, in the downfall and playing the piano, recalling his childishness memories.Lastly, the modal value of both poems is desirous and they both have the paper of childishness. The persona in Half-past Two is nostalgic about the long- mixed-up childhood which is free from time constraints. It can easily be seen in the last stanza He escaped to be natural. On the other hand, the persona in Piano is sad and hollo for the time which will nev er draw keister after it is forever lost with his manhood cast/Down in the flood of remembrance.For Half-past Two, I hold punishment is not a suitable way to discipline an exculpated child who did Something Very Wrong. He should be explained what the error is. The poet uses the teacher to criticize adults who ar dismissive of children, emphasized by she slotted him cover. Adults should c atomic number 18 and attend to children more.Besides, this poems effect on me is so well that it almost brings me back to my merry childhood. I crave for reliving my childhood, when I lived freely without troubles and worries and time constraints.A nostalgic mood is revealed in the last stanza. It shows that the poet is very nostalgic, reminiscing the childhood experiences when everything is not constrained by time. Moreover, the fantasy world which the child conceives in stanzas 7 & 8 is most peoples utopia, where they can temporarily forget all the essay and worries from work or studies and escape from reality. It is a dream world where all of us can dream about as a solace when we are stressed out.The poem, Piano, has a nostalgic and wistful tone. Hearing the powerful music and soft song, the persona recalls his pleasant childhood memories. He reminisces that he sat under the piano pressing the small self-collected feet of his mother. However, in the last stanza, my manhood is cast/Down in the flood of remembrance, I weep like a child for the past. It appears that the persona is rather drizzly and melancholic. He is sad and crying for the time which will never come back after it is forever lost.Besides, the Tingling arrange and the mastery of song strongly evoke the personas pleasant childhood memories. It also brings me back to the time when I was a child, learning how to play the piano. I regret not taking piano lessons seriously at that time and displace it at last. We should treasure everything we possess forrader they slip away.In my opinion, the persona, b eing a man, should not cry hastily. I think it is very embarrassing for a large(p) man to weep. He attempted to jump his emotions but failed. His heart weeps to belong and last he bursts into tears. His weeping is uncharacteristic of his surrender maturity.Nevertheless, I prefer Half-past Two, because it can fully depict the helplessness of the bare child being kept in until half past two a time completely unfamiliar to him. I also like the tone of the last stanza. It can trigger my deeper thoughts. It makes me realize that the domain where time hides tick-less waiting to be born is a utopia where many people can temporarily forget all the stress and worries and relax.